Although a zombie film, this award-winning
computer animation short film is anything but a display of
gut-munching and blood. No, the best word that might describe Less than Human, which is as much of a tragicomedy as a zombie short, is one not normally associated
with the undead: poignant.*
* For zombies, gut-munching and blood,
we suggest you see other Short Films of
the Month, such as June 2017's Love of the Dead (2011),
April 2017's Rotting Hill
(2012), May 2016's Meat Me at Plainville (2011),
April 2016's great Fist of Jesus (2012),
Dec 2013's A Very Zombie Holiday (2010),
Aug 2011's Paris by Night of the Living Dead (2009),
or May 2010's Zombeer (2008).
Poster above taken from the Less
than Human tumblr.
The Imdb has a relatively cut-and-dry and not 100%-on-the-mark plot
description: "A freelance reporter [voiced by Scott Keck] ventures into a
post-zombie resettlement camp and interviews two ex-zombies [Dave Dyson = Andy,
and Lawrence Marvit = Don] trying to find out whether ex-zombies are ready for
reinsertion into normal society." The two tragic figures of this wryly
humorous tale are very much still undead, if each with a consciousness that
includes memories from their lives as humans. Within its short running time, Less than Human takes a look at
friendship, prejudice and tolerance, and the nature of being human. It also
tackles the concept of the failed impartiality of press coverage — as we see
it, the reporter must come from FOX News.
Less than Human, like our June 2013 Short Film of the Month Backwater Gospel (2011),
is a student bachelor's project at Denmark's The Animation Workshop.
To take the some info (like the
photo above) straight from the short's website:
Steffen Bang Lindholm (the director) initially pitched the idea in the spring
of 2015, bringing together an end team of eight students — four animators and four
computer graphic artists — not one of whom was named Hans Christian. (The names,
no particular order: Ditte Marie Ludvigsen, Lasse Steinbeck, Matilde Soeltoft, Anna
Eckhoff Ohrt Nissen, Julie Rebecca Billeskov Astrup, Morten Vestbjerg Boegelund
Lassen and Ida Marie Soendergaard). That's them above in the photo. The film was made over 10 months, from late
August 2015 to early June 2016.
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