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"Peter, listen to me. Things are always happening that we don't expect. You can think of them as an ordeal, or you can think of them as a great adventure. It's the adventurers who make it."
Hawk (Vince Edwards)
Hawk (Vince Edwards)
When I was a young lad of about five or six (or maybe seven)—in any event, long before I developed pubic hair—my sister and I were sent for a summer to stay with my cousins in what was then a blink-twice-and-you-missed-it mill town in Massachusetts called Lee. (I imagine Lee, which I haven’t visited for over 25 years, is probably relatively gentrified by now—the Main Street and Victorian houses were always too beautiful to leave to the natives alone.) It was there that I was allowed to see my first scary television show, though god only knows what it was called. It was either a Rod Serling show or a Rod Serling rip-off, but the title, like the plot of the episode, has long passed from my memory. What I do remember is that it was, at the time, the scariest thing I had ever seen in my life. When the mother was confronted by the ghost, I ran from the room in terror and couldn't sleep with the lights out for days, and I forever remembered exactly how horrifying it was.
Years later, while going to Otis Art Institute in Los Angeles (back when it was located next to MacArthur Park) one night during the heights of my drug excesses while I was in a fog from too much beer, too many Black Beauties and probably some bad, bought-on-the-street weed cut with oregano, I happened to be alone in the dorm TV room when some late-night local station reran the program—naturally, due to the condition I was in at the time I really can’t remember what it was titled or what the plot was now, but I do think it may have starred the late, great Sylvia Sidney (of Hitchcock’s Sabotage [1931 / full film] to Burton’s Mars Attacks [1996 / trailer]). As fucked up as I was, one thing I was able to comprehend: the show that had scared me shitless as child, that I held in cherished memory as one of the scariest things ever made, was a total piece of shit. The ghost that once had me poop in my britches was, in all seriousness, a man with a bed sheet over his head.
Years later, while going to Otis Art Institute in Los Angeles (back when it was located next to MacArthur Park) one night during the heights of my drug excesses while I was in a fog from too much beer, too many Black Beauties and probably some bad, bought-on-the-street weed cut with oregano, I happened to be alone in the dorm TV room when some late-night local station reran the program—naturally, due to the condition I was in at the time I really can’t remember what it was titled or what the plot was now, but I do think it may have starred the late, great Sylvia Sidney (of Hitchcock’s Sabotage [1931 / full film] to Burton’s Mars Attacks [1996 / trailer]). As fucked up as I was, one thing I was able to comprehend: the show that had scared me shitless as child, that I held in cherished memory as one of the scariest things ever made, was a total piece of shit. The ghost that once had me poop in my britches was, in all seriousness, a man with a bed sheet over his head.
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One could argue that since Space Raiders is a kiddy film it should deserves some leeway, but just because a film is for kids, doesn’t mean that it has to have retarded plot development and be laughably and terribly acted and directed. Besides, just how “kiddy” is a kiddy film in which virtually everyone (except the kid, regrettably) dies?
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Space Raiders begins at the loading dock of some warehouse of “The Company” on some barren planet where “cute”, little Peter (David Mendenall) is playing with an alien stop-motion bug as C-3PO clones load and unload stuff. Suddenly there is a raid by a group of, dunno, mercenaries / pirates / intergalactic thieves who basically kill dozens of company cops before hijacking a cargo spaceship (that later proves to be empty!).
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The most entertaining aspects of Space Raiders is how everyone aims above their target when shooting but always makes a direct hit and the groan-inducing platitudes of the dialog. Other than that, although Peter also gets a lot of laughs for his utter inability to do anything that comes close to being called acting, the fact that he is directly responsible for the deaths of the entire crew doesn't exactly help make him sympathetic to the viewers. The film is bad, and regrettably, bad kiddy films are not as entertaining as bad films for adults, which at least usually balance their inabilities with explicit sleaze, violence, gore and other entertaining assaults on good taste.
That said, if you want a good kiddy sci-fi film from the same period, skip this turkey and go for The Ice Pirates (1984 / trailer), cause at least you don't have to have seen it as a kid to enjoy it now.
For your viewing pleasure, the first ten minutes of Space Raiders:
1 comment:
I started watching this and was wondering if it was really as painful as I thought it was. I’m reading reviews and I thought yours was spot on. I could see how a child might enjoy it I guess. Horner changed a few notes from his work on the Star Trek movies. The kid is a bad luck charm of death, lol. They probably wanted him off the planet. Good riddance. The scenes are so drawn out , otherwise the movie could be much less than an hour without losing any plot. Its value might be to entertain the kids or to make fun of with friends. It’s fun to identify the huge amount of sounds, music, effects, and ideas borrowed from dozens of other movies and tv shows. Star Trek, Star Wars, battle star galactica, buck rogers, etc. According to trivia, even some sets are reused. A great review! Thanks.
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