Monday, January 6, 2025

The Ten Best in 2024

As regular readers of a wasted life know — assuming there are any — "Best of" is always relative at this blog as the films we give good reviews don't always show up in our end of the year round-up while films we trash do. Also, we watch so much crap that a list of "Ten Best" is often hard to come up with. 
But not for 2024: we may have had only 50 blog entries, of which only 37 were actual film reviews, but our "Runners Up" list nevertheless came to a full 11 titles. Of those 11, ten were made prior to the 21st century — so, for the sake of continuity, we have taken the only contemporary film off the list. (Reverse ageism, you might say.) To read our full,always overly verbose review of any given film, click on the linked titles.
And so, here they are, in no particular order: the Ten Best films that we here at a wasted life watched in 2024 that we bothered to write about — oddly enough, for a change many of them are actually "respected" films. And Sherlock Holmes also comes out well: three of the movies we've chosen come from Universal's classic Holmes and Watson series of the 1940s. About the only truly WTF film on our Top Ten List — the truly crappy film that makes the list only because it haunted our mind long after we watched it — would be...
 
 
 
(Planet Texas, 1961/64)
"Buchanan's The Naked Witch is not exactly the most exciting film out there, and it seems almost impossible that it took two people to put together a snoozer as dull and terrible as this turkey, but as crappy as this lump of extremely low-budget flotsam is, the movie does have an oddly surreal appeal, providing you are of a forgiving nature."
Trailer to
The Naked Witch:

 
 
(USA, 1948)
"Beautifully filmed and tightly scripted, Cry of the City quickly grabs onto the viewer and doesn't let go until the final frames. The movie has no flab, and the twists are not always expected. The acting varies from excellent (Conte and most secondary characters) to uneven (Mature and Paget), and but for the expedient (if tensely staged) breakout and magic bullet, the events on screen remain firmly grounded in reality. The city of the film is a cruel one, one in which looking out for number one is the main rule and all that which is decent — family, love, friendship — has barely a chance to survive or remain uncorrupted."
Trailer to
Cry of the City:


 
(USA, 1945)
"Fans of yesteryear's horror cannot go wrong with The Body Snatcher: it is an enthralling, well-made horror film that keeps you watching from the start until the end, ably assisted by some great direction and a fantastic Boris Karloff."
Trailer to
The Body Snatcher:

 
 
(Germany/USA, 1976)
"The Swiss Conspiracy is not, of course, a masterpiece of originality; indeed, much of what occurs in the movie occurs in other, similar movies. Still, it deserves some respect: the narrative is not lazy and there are clues along the way that allow an intrepid viewer to put together the twist."
Trailer to
The Swiss Conspiracy: 

 
 
(Italy, 1971)
"Without doubt, The Price of Death is a flawed (possibly even fumbled) movie, but it does stand out as an interesting anomaly: detective western flicks are even rarer than western horrors. As such, it remains, despite its unevenness and flaws, mildly intriguing and enjoyable. While hardly imperative viewing, fans of the genre could do far worse..."
Some music from
The Price of Death:



(Brexitland, 1969)
(Poster created by Richard Littler)
"It is perhaps rather aside the point to argue whether The London Nobody Knows 'works' as a documentary or not, for whatever flaws it might have, age has given the visual time capsule an amazing, eye-catching patina that makes it an absolutely absorbing watch."
 
 
 
(USA, 1943/44)
"Overlook [the] obvious but minor flaws and the obviously dated film is rather entertaining minor classic of arguably quality, the last especially when compared to some of the later films in the series. Regardless of whatever flaws, however, Sherlock Holmes & the Spider Woman is well worth watching."
Trailer to
The Spider Woman:

 
 
(1944, USA)
"In general, this installment of the classic Basil Rathbone/Nigel Bruce Sherlock Holmes & Dr Watson series, The Scarlet Claw, is commonly cited as one of the best of the series, if not the best. And, indeed, the programmer truly does live up to its reputation — with the caveat, of course, that you are one of the continually dwindling population that have a penchant (and the patience) for old movies of the prior century."
Trailer to
The Scarlet Claw:



(USA, 1932)
"This independently produced 1932 pre-Code horror film, eight years shy of a century old at the time of the writing of this entry, is a flawed but wonderful little gem that is unarguably of greater importance historically than it is watchable for those who are not partial to films of such age."
Trailer to
White Zombie: 

 
 
(USA, 1944)
"While most aficionados tend to hold The Scarlet Claw (1944) high as the best of the Rathbone/Bruce series of Sherlock Holmes and Dr Watson movies, we here at a wasted life tend to bestow that honor to this entry here, the ninth of the grand total of fourteen movies Basil Rathbone and Nigel Bruce were to make together as the bromance duo. It just has too much going for it, including an excellent supporting cast of favorites."
Trailer to
The Pearl of Death:
 
 
 
Turd of the Year*:
* Beating out the runners up, The First Myth: The Clash of Gods (China, 2021) & Force of Nature (2020).
 
 
(Planet Texas, 1967)
"[...] Although this public-domain movie is easy enough to find all over the net, there is really no need to search Night Fright out, for there is no reason to bother watching it. (Unless, of course, you happen to be John Agar completionist.) Night Fright is 100% non-imperative viewing."
Trailer to
Night Fright: