Year 5 of A Wasted Life's "Ten Best Films in XXXX" list... the rules, as they have crystallized over the past five years:
1. The films need not be made in the year in question (2013), they need only to have been viewed for the first time and reviewed that given year.
2. They need not even be good films, they need only to have left an exceptional impression or been in some way memorable enough while watching that they achieved a level of "unforgettableness" that makes them, in our non-humble opinion, worth watching — if only one time.
3. Short Films of the Month are as a rule excluded from the list, one: because simply by dent of the fact that their being chosen as a Short Film of the Month already makes them recommended, and two: the "Ten Best" list is for feature-length films only.
4. The order in which the films are presented is immaterial. This is not a countdown list, going from "tenth best" to "best". As far as we are concerned, all films presented are equally deserving of their placement.
This year, there were a total of 60 blog entries here at A Wasted Life, of which one was the Ten Best Films in 2012 list, 12 were short films and five were R.I.P. Career Reviews of notable folks who have gone on permanent vacation — Harry Reems (six instalments and counting), Ray Harryhausen (3) Jim Kelly (2), Haji (1) and José Ramon Larraz (3) — with a total of 15 instalments. Thus, in grand total there were only 31 feature films reviewed this year, the lowest amount since this ego-stroking blog first went online. And with such a low amount of movies, it is perhaps not surprising that for the first time we weren't able to come up with a full ten movies for the list. This year, we only have an "official" nine — and a forced nine at that.
That said, we must admit that there are two feature-length films that probably would have made the list, but don't due to rule Number 1: in the case of the two old German flicks directly below, we not only didn't watch them in 2013, but the reviews were actually written almost a decade ago and we've seen both movies a couple of time since then. Thus neither makes the final cut, though we like them both and can only say watch them if you have the chance — no German Edgar Wallace or Brian Edgar Wallace krimi is ever a total waste of time. Of the two below, Der Rote Kreis is probably the better one, while Der Frosch mit der Maske, being the first of the historical Rialto Wallace series, is more historically relevant. Both make for worthwhile viewing, no matter whatever flaws they might have. But, in any event, they are not an official part of The Ten Best in 2013 list and are presented here only because, well, because we want to present them here.
1. The films need not be made in the year in question (2013), they need only to have been viewed for the first time and reviewed that given year.
2. They need not even be good films, they need only to have left an exceptional impression or been in some way memorable enough while watching that they achieved a level of "unforgettableness" that makes them, in our non-humble opinion, worth watching — if only one time.
3. Short Films of the Month are as a rule excluded from the list, one: because simply by dent of the fact that their being chosen as a Short Film of the Month already makes them recommended, and two: the "Ten Best" list is for feature-length films only.
4. The order in which the films are presented is immaterial. This is not a countdown list, going from "tenth best" to "best". As far as we are concerned, all films presented are equally deserving of their placement.
This year, there were a total of 60 blog entries here at A Wasted Life, of which one was the Ten Best Films in 2012 list, 12 were short films and five were R.I.P. Career Reviews of notable folks who have gone on permanent vacation — Harry Reems (six instalments and counting), Ray Harryhausen (3) Jim Kelly (2), Haji (1) and José Ramon Larraz (3) — with a total of 15 instalments. Thus, in grand total there were only 31 feature films reviewed this year, the lowest amount since this ego-stroking blog first went online. And with such a low amount of movies, it is perhaps not surprising that for the first time we weren't able to come up with a full ten movies for the list. This year, we only have an "official" nine — and a forced nine at that.
That said, we must admit that there are two feature-length films that probably would have made the list, but don't due to rule Number 1: in the case of the two old German flicks directly below, we not only didn't watch them in 2013, but the reviews were actually written almost a decade ago and we've seen both movies a couple of time since then. Thus neither makes the final cut, though we like them both and can only say watch them if you have the chance — no German Edgar Wallace or Brian Edgar Wallace krimi is ever a total waste of time. Of the two below, Der Rote Kreis is probably the better one, while Der Frosch mit der Maske, being the first of the historical Rialto Wallace series, is more historically relevant. Both make for worthwhile viewing, no matter whatever flaws they might have. But, in any event, they are not an official part of The Ten Best in 2013 list and are presented here only because, well, because we want to present them here.
Trailer:
Aka Sweet Baby Charlie and Profile of Terror. OK, we break a rule here. Here at A Wasted Life, we are listing The Sadist in the first position on this list because, well, it was truly the best movie we saw this year and deserves a First Place rating. Almost unknown, this film seriously needs to be rediscovered and shared and finally given the credit it deserves. Searing black and white for a nasty, hard-boiled story told in real time. We would list this movie up there with Detour (1945 / fan-made trailer / full film), The Honeymoon Killers (1969 / trailer) and Night of the Living Dead (1968 / trailer / full film) as one of the best low budget B&W genre movies we've ever seen. Watch it. Now. Or go die.
Full movie:
Trailer:
Trailer:
Hitman vs Hitman scene:
Aka Guerra Sucia. Regrettably enough, we've been unable to locate a trailer from this movie anywhere online, but the outtakes here give you a good idea of what to expect. Is Dirty War a good movie? No fucking way — it's a fucking Juan Piquer Simón movie, for Christ's sake, so it's a mess. But, as is often the case with his movies — his real masterpiece Slugs (1988) being the best example — Dirty War takes on that special otherworldliness that only true craptastic movies have. As we say in our review, Dirty War [...] is "a crappy, trashy piece of shit, actually. But [...] it is also a wonderfully entertaining piece of flotsam that occasionally verges on surrealism." We loved it, and can only say: watch it, you'll hate it.
Chase scene:
Red-band Trailer:
Trailer:
Opening scene:
Aka Horror Whore and Sadoasylum. The first hardcore fuck film to ever make its way onto one of our "Best Films" lists. Hardgore is an unbelievable piece of flotsam from the early Golden Age of Porn that defies categorization and believability. What were they thinking when they made this movie? But for one scene, Hardgore totally fails as a visual aid to your greased palm — in fact, despite genital detail and constant exchange of body fluids, this body-hair heavy porno movie is sure to keep you limp or dry — if not, you can rest assured that you are probably not normal. Hardgore is definitely not a good movie; in fact, it is not a movie that probably deserves any form of recommendation... but it is an indescribably jaw-dropper; a unique oddity that hits 100 on the bizarre scale. And as such, we might not recommend it but we do have to say it was one of the most "memorable" movies we saw in 2013, and thus rightfully earns it place on this list. Watch it — if you dare.
Naked woman (Dianne Galke) running down the hall:
Trailer:
An early non-masterpiece of exploitation displaying truly Ed Woodian directorial and narrative finesse, Maniac is one of the great Guilty Pleasure of filmdom. Read our review to learn about this great movie and its equally notable filmmaker...
Full movie:
Trailer:
Another movie that probably wouldn't make the cut had we a greater selection to choose from. 5 Minutes to Live is hardly a masterpiece, and it suffers from a very weak female lead (Cay Forrester) and a terrible framing structure; but, for that, it is relatively well shot and edited, moves at quick enough pace, has one or two decent shocks and stars the great Johnny Cash as a violent psycho. The last alone makes the movie worth watching on a rainy day. Of course, you can just wait until the Jan de Bont remake is released, but then you won't have the pleasure of watching a drugged-out Cash making his feature-film acting debut.
Full movie:
Movie of Special Mention
Dementia
(USA, 1953)
(USA, 1953)
Trailer:
Daughter of Horror aka Dementia
is an under-seen surreal, semi-feature-length expressionistic noir
nightmare that has, amongst those who have watched it, as many detractors
as fans. We are definitely fans. Made in 1953 and released in 1955,
Dementia is the only known movie from the unknown filmmaker John Parker
and, until Re/Search wrote about it in their influential volume
Incredibly Strange Films, it was best known (if at all) as the movie
being watched in the original version of The Blob (1958) when
the blob invades the cinema. Long in the public domain, it is easy to
get a hold of nowadays, though usually in the re-release version with an
added narration by Ed McMahon. Watch it. Now. Or go die.
Full movie:
No comments:
Post a Comment